reveals how Æthelthryth, who became the most popular native female saint, provides a central point of investigation among the cultic practices of several disparate groups over time—religious and lay, aristocratic and common, male and female, literate and nonliterate. This study illustrates that the body of Æthelthryth became a malleable, flexible image that could be readily adopted. Hagiographical narratives, monastic charters, liturgical texts, miracle stories, estate litigation, shrine accounts, and visual representations collectively testify that the story of Æthelthryth was a significant part of the cultural landscape in early and late medieval England. More important, these representations reveal the particular devotional practices of those invested in Æthelthryth’s cult. By centering the discussion on issues of textual production and reception, Blanton provides a unique study of English hagiography, cultural belief, and devotional practice. adds, moreover, to the current conversation on virginity and hagiography by encouraging scholars to bridge the divide between studies of Anglo-Saxon and late medieval England and challenging them to adopt methodological strategies that will foster further multidisciplinary work in the field of hagiographical scholarship.